Publisher: Imburleigh Book Company Publication Date: 18/02/2021 Length: 662 pages Genre: Historical Fantasy | Mystery | LGBTQIA+
CW: drug addiction, miscarriage, prisoner abuse, child abuse, graphic depictions of death
Follow the law and you’ll stay safe. But what if the law is wrong?
Tashué’s faith in the law is beginning to crack.
Three years ago, he stood by when the Authority condemned Jason to the brutality of the Rift for non-compliance. When Tashué’s son refused to register as tainted, the laws had to be upheld. He’d never doubted his job as a Regulation Officer before, but three years of watching your son wither away can break down even the strongest convictions.
Then a dead girl washed up on the bank of the Brightwash, tattooed and mutilated. Where had she come from? Who would tattoo a child? Was it the same person who killed her?
Why was he the only one who cared?
Will Tashué be able to stand against everything he thought he believed in to get the answers he’s looking for?
Edwardian England. Agnes Ashford knows that her duty is threefold: she needs to work on cataloguing the archive of the titled Bryant family, she needs to keep the wounds of her past tightly under wraps, and she needs to be quietly grateful to her employers for taking her up in her hour of need. However, a dark secret she uncovers due to her work thrusts her into the Bryants’ brilliant orbit – and into the clutch of their ambitions.
They are prepared to take the new century head-on and fight for their preeminent position and political survival tooth and nail – and not just to the first blood. With a mix of loyalty, competence, and well-judged silence Agnes rises to the position of a right-hand woman to the family matriarch – the cunning and glamorous Lady Helen. But Lady Helen’s plans to hold on to power through her son are as bold as they are cynical, and one day Agnes is going to face an impossible choice…
Firstly, a huge thank you to Erin Lee for sending me a copy of her novel in exchange for an honest review.
Publisher: Self-Published Publication Date: 20/04/2021 Length: 410 pages Genre: Fantasy | Young Adult
A human with dragon magic. A dragon desperate for his magic to return. A promise of revenge that ties them together…
One of only ten humans with dragon magic, seventeen-year-old Alvis Witt is forced to hide his identity as a Talisman Wielder when all he wants is to fight alongside the resistance group, Linless. Then Alvis gets his chance to use his secret magic to rescue the dangerous and notorious dragon, Rae Bremmet, from the country’s heavily guarded prison. What seems like a simple mission twists into a series of events that leaves Alvis and Rae with a thirst for revenge for everything their corrupt homeland has stolen from them.
But Alvis and Rae can only agree on one thing—they fight best when they fight alone.
When I was compiling my top five for this month I noticed that those of the books on my list weren’t actually written by LGBTQI+ authors. This is especially strange to me as barely any of my texts set on my gender and sexuality module at university were either. This got me thinking, although I enjoyed the novels I listed, how accurate are they in depicting LGBTQI+ characters? Yes some on that list are fantasy but the point still stands.
Before we dive into this, I just want to shout out Charlotte over at Sapphistication who was a wonderful help checking this over and added brilliant insight! I’m so grateful for you taking the time to help me with this!
As someone who will not experience the same societal hardships of this community, I think it’s important to listen to the stories of those who do experience this. By reading these stories, those outside this community are able to see firsthand the difficulties that are faced both on an individual level (eg. someone struggling to figure their identity out) and on a wider scale (eg. how they are restricted in society). Not only does reading these accounts allow you to understand issues that you have not had to consider before (unless you’re part of another group or community that is ostracised due to your identity) but, in doing so this also highlights what your own privilege has been able to shield you from. Additionally, if all queer narratives are from non-queer people, the view we have of these issues is incorrect and the more this is the case the more that becomes entrenched in our views as a society.
However, it’s important to remember that it’s not all about the negatives. Reading LGBTQI+ own voices really cement the fact that these characters (well, this community as a whole) still have the same lives and loves that we have seen depicted for centuries in heterosexual fiction (and, of course, in the word as a whole). This community isn’t just a community but individuals who deserve to be recognised as such. Not one person has the exact same experiences in life as someone else, and the same is true for the LGBTQI+ community and their identities. Similarly, this is also really important for those struggling to figure out their identity and even for the people who have. By seeing LGBTQI+ characters in the same roles that have always been taken by straight characters, not only is this reassuring that happy endings are genuinely still possible for them, despite what has been depicted in the past, and it is also empowering. Whilst some people do, in fact, sit and consider the meaning of life and identity in a brooding fashion, it doesn’t happen all the time or for very long. So why should so much of LGBTQI+ literature be depicted as such? Instead of only focusing on the trauma of discovering your identity, it’s important that readers see a celebration of it too, which is much more genuine and authentic from an own voices novel.
Whilst these points are extremely valid and important, they don’t quite cover another major important aspect of reading these novels. The more LGBTQI+ novels we read by LGBTQI+ authors, this sends a message to the publishing industry that we want more of these stories in the future. Yes, the publishing industry has come a long way since I first started blogging in 2010 but it does still have a way to go when it comes to ‘own voices’ novels. Therefore not only is it important to read these novels to support the authors, and reassure them that their stories are needed, but it will encourage others to write and share their own experiences (whether it be in a Young Adult novel or Fantasy etc). The more these novels are published the more balanced the currently oversaturated industry will become, which will not only make the ‘veterans’ of the LGBTQI+ community proud but, it will also shape younger readers into more aware and compassionate people. Something that many people, unfortunately, don’t learn early enough.
It’s impossible to detail all the ways the LGBTQI+ novels are important, especially for someone outside this community. However, there is one last important point I’d like to make: to all my LGBTQI+ followers, please remember that you’re not alone; that you’re loved and that you are enough.
In the UK, February is LGBTQI+ month. In light of this (and the fact I have been single on Valentine’s day for 25 consecutive years) I wanted my features this month to focus on LGBTQI+ literature. So, here are my top 5 novels that feature LGBTQI+ characters.
In this graphic memoir, Alison Bechdel charts her fraught relationship with her late father.
Distant and exacting, Bruce Bechdel was an English teacher and director of the town funeral home, which Alison and her family referred to as the Fun Home. It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve.
Okay, so I know this is a graphic novel rather than a ‘traditional’ novel but I love it so I’m including it! This also is more of a memoir rather than a work of fiction. Not only is the art style fantastic but the way Bechdel depicts her realisation of her own identity is wonderful. This graphic novel has it all, tragedy, here, humour and drama but, ultimately, it is very real and it’s one of the most powerful novels I read at university. As an aside, this has also been adapted into a fabulous musical too!
Greece in the age of heroes. Patroclus, an awkward young prince, has been exiled to the court of King Peleus and his perfect son Achilles. Despite their difference, Achilles befriends the shamed prince, and as they grow into young men skilled in the arts of war and medicine, their bond blossoms into something deeper – despite the displeasure of Achilles’ mother Thetis, a cruel sea goddess.
But when word comes that Helen of Sparta has been kidnapped, Achilles must go to war in distant Troy and fulfill his destiny. Torn between love and fear for his friend, Patroclus goes with him, little knowing that the years that follow will test everything they hold dear.
I loved this depiction of Achilles and Patroclus’ relationship, especially because it was from Patroclus’ perspective. I especially loved how this novel documented the relationship from the very beginning. We see the boys learn to navigate their relationship and gradually become men fighting a war. Whilst the stories of Achilles often focus on the bravery and brutality of the warrior (which was still present in this novel) but, we also got to see a softer side to him too. Be warned, if you do pick this novel up, make sure you’re got tissues on hand!
This is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born. It tells of Vietnam, of the lasting impact of war, and of his family’s struggle to forge a new future. And it serves as a doorway into parts of Little Dog’s life his mother has never known – episodes of bewilderment, fear and passion – all the while moving closer to an unforgettable revelation.
This short novel is a lovely letter a son has written to his mother. I loved how raw and poignant his letter was illustrating what he has been through as a gay man. Although he is writing this letter to his mother, he knows she won’t be able to read it which allows him to be honest in a way that is heart wrenching. Not only does this novella cover the struggles he faced as a gay man, but also the struggles of being an immigrant in America. This is a beautiful and fascinating account which I still think about even months after finishing the book.
In the space of a single night, Ekata inherits the title of duke, her brother’s warrior bride, and ever-encroaching challengers from without—and within—her own ministry. Nothing has prepared Ekata for diplomacy, for war, for love…or for a crown she has never wanted. If Kylma Above is to survive, Ekata must seize her family’s power. And if Ekata is to survive, she must quickly decide how she will wield it.
This fantasy novel wonderfully explored the intricacies of court politics. Our protagonist finds herself holding the mantle of the Winter Duke after her entire family mysteriously falls ill during an event where her brother was to choose his wife. So, naturally, Ekata decides to choose one of the ladies for herself instead of being forced into the marriage that her father’s counsel wants her to. I really loved the dynamic between Ekata and Inkar, seeing them go from being strangers trying to make the best of a bad situation to becoming a genuine and believable couple (not just one for political gain) as the novel progressed.
Books are dangerous things in Collins’s alternate universe, a place vaguely reminiscent of 19th-century England. It’s a world in which people visit book binders to rid themselves of painful or treacherous memories.
After having suffered some sort of mental collapse and no longer able to keep up with his farm chores, Emmett Farmer is sent to the workshop of one such binder to live and work as her apprentice. Leaving behind home and family, Emmett slowly regains his health while learning the binding trade. He is forbidden to enter the locked room where books are stored, so he spends many months marbling end pages, tooling leather book covers, and gilding edges. But his curiosity is piqued by the people who come and go from the inner sanctum, and the arrival of the lordly Lucian Darnay, with whom he senses a connection, changes everything.
I was bought this novel as a gift during a time where I wasn’t reading as much as I usually would, therefore I didn’t actually know anything about this novel going into it. I feel like I can’t talk about this one as much as the others because of spoilers, but just know that I adored the two boys in this story and what happened to them in the past to bring them to their situations in the present. I thoroughly enjoyed this novel and it still brings a smile to my face when I think about it.
Whilst I was compiling this list I was surprised, but not shocked, at the lack of novels I’ve read that would be considered ‘own voice’ novels. Yes, there are a couple on this list, but not as many as I would like as I think it’s incredibly important to read LGBTQI+ own voices novels. However, I will be discussing this further in my Thoughtful Thursday feature coming next week!
What are some of your favourite LGBTQI+ novels? Let me know in the comments!